Until recently, people were still erroneously addressing Pedro Pascal as Pascal Pedro. But he didn’t mind. Years of struggle in New York’s theatre scene had taught him to take things in stride. Pascal had studied drama in NYU, with his appearances on television after that limited to bit parts in Buffy the Vampire Slayer and a few cop dramas. It took Game of Thrones, playing the part of Oberyn Martell, to make Pascal a household name – at the age of 37, no less.
Since that breakout role, Pascal has been busy. Among other works, he starred opposite Denzel Washington in The Equalizer 2, played a leading role in the Netflix biographical crime series Narcos, and acted as Agent Whiskey in Kingsman: The Golden Circle. There’s more to come, beginning with the titular character in The Mandalorian, which airs on Disney’s new streaming service Disney+ this November. In June next year, Pascal is slated to appear in the next Wonder Woman movie as the villain Maxwell Lord. Clearly, the man’s career has just properly started.
When did you first fall in love with acting?
At a very young age. My father used to take us to the movies three times a week. He’d come home from work and ask if we wanted to go see something, and we would, of course, want to go. I saw First Blood, The Big Chill, and so many other films. There was one summer when my mother would drop me off at the movie theatre as though it was daycare – times were different back then. I’d watch a few screenings of movies like Poltergeist in one afternoon before she picked me up at six. This exposure to films led to a hobby in acting that my parents were happy I had – at least I wasn’t sitting around watching cable TV all day. It occupied so much of my time and eventually turned into serious training.
Why did you make the shift?
I had to take things more seriously if I wanted to stick with it. It wasn’t just being in love with the idea of appearing in movies and on stage any more – I needed to learn to analyse a story, delve deeper into the various aspects of acting, and learn the technical side of things. What came next was getting jobs to pay the bills. Surviving as an actor, basically.
You took some time to find mainstream success. Did you ever consider quitting?
The confidence definitely fluctuates. I didn’t develop other skills, so my familiar routine was to attend auditions for jobs. One would be enough to pay for rent and food for a while, or I had to wait tables to pay for my expenses. It felt completely desperate because I was really in love with the art of acting and the idea of being a working actor.
But I always got enough work to keep going. I don’t think I would have if I couldn’t get a job in three years or something like that, but such a thing never happened. I would get a role in a tiny little play outside of Boston, or a beer commercial, or an episode of a cop show in the city.
Do you appreciate your popularity more since it came later? How do you think this has influenced the way you approach your status as a celebrity now?
I was definitely more self-assured because my habits and routines were firmly in place and felt more important to me than my newfound success. I know it’s hard for me to describe this, but I just don’t feel famous. That wasn’t part of my development when I was younger, so I came into it “fully cooked”, or maybe even overdone. (laughs) As exciting and as strange as fame can be, it just doesn’t feel as real to me as my relationships, or the fact that my backaches, or how I panic in the morning if I don’t know exactly where I can get my coffee. Those things have much higher stakes to me than the public’s perception of who I am.
Can you identify a reason for your success? Did it make sense for to you when it “arrived”, perhaps because you thought you were becoming a better actor, or was it pure luck?
I oscillate between the two. It can seem totally random, which is terrifying because anything can happen, but the randomness of it all makes a little more sense to me. But I see some clearly predestined circumstances for other people, and you sometimes have these very clear realisations that an opportunity was kept from you a long time ago because it wasn’t the right place or the right time. I guess I probably lean more towards the randomness of it all, or the simple idea that if you keep at the same damn thing, you’re increasing your chances of it succeeding.
Part II of the interview continues here.
(Photos: Doug Inglish; Styling: Lucy Armstrong; Grooming: Mira Chai Hyde; Production: Cool Hunt Inc.)
